"You may have the ghosts all to yourself. I sha'n't grudge them to you. I'll have the cupboards," says Nicholas, who has grown at least ten years younger during the last hour. "Mona, show us this one.",
"Thanks!" returns he, with an ironical laugh. "How excellently your tone agrees with your words?",
When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered.,
He has never told her that his eldest brother is a baronet. Why he hardly knows, yet now he does not contradict her when she alludes to him as Mr. Rodney. Some inward feeling prevents him. Perhaps he understands instinctively that such knowledge will but widen the breach that already exists between him and the girl who now walks beside him with a happy smile upon her flower-like face.
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"Stand back," says Ryan, savagely. "Stand back, I tell ye, unless ye want a hole in yer own skin, for his last moment is come.",
"Geoffrey," says Mona, in a low tone, slipping her hand into his in a half-shamed fashion, "I have five hundred pounds of my own, would it—would it be of any use to Sir Nicholas?",
"It is down by the river," the old woman answered. "We pound on it and the buffalo run out.",
"Well, as I say, I shall soon," returns Mona, brightening, "because Geoffrey has promised to teach me."
At this Geoffrey says something under his breath about Paul Rodney that he ought not to say, looking the while at Nicholas with a certain light in his blue eyes that means not only admiration but affection.
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Mona shivers. Getting up from her lowly position, she draws back the curtains of her window and looks out upon the night. It is brilliant with moonlight, clear as day, full of that hallowed softness, that peaceful serenity, that belongs alone to night.
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"We are none of us infallible," says Rodney, in a curious tone, and speaking as if with difficulty. "You see, even you erred. Though I am neither burglar nor blackguard, I, too enjoy a walk at midnight."
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"Violet, play us something," says Geoffrey, who has quite entered into the spirit of the thing, and who doesn't mind his mothers "horrors" in the least, but remembers how sweet Mona used to look when going slowly and with that quaint solemn dignity of hers "through her steps."
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>"We must see," says Mona, thoughtfully.
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